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The Right Kind of Listening Can Make All The Difference

Have you ever heard musicians in interviews say things like “the most important thing about playing music is listening”?

Well, duh!

If you don’t listen, you can’t play. Then one day I learned that the way I listened when I played was not the way the great musicians listen, and exploring that radically improved my performances.

Listening: Musician vs AI Bot

Do you listen to music like a musician, or more like an AI bot? You see, musicians listen in different ways at different times and knowing when to use the right kind of listening can make all the difference.

There was a time when my listening was more like a bot. I was so focused on eliminating errors that I was only listening for mistakes. I'd concentrate on getting the notes right and, sure, I could play correctly, but something was always missing.

Perfection?

I would get so stressed out trying to get everything perfect, like trying to juggle chainsaws or I would get it right but the music wouldn’t have any life in it.

And there were always certain parts that I just couldn't get right, even though I practiced for hours.

When I stopped practicing, I always felt like I needed more time, like the song or the solo wasn’t ready. I started doubting myself, thinking maybe I just didn't have what it takes to play the way I wanted to. I thought I was listening, but really, I was just over-analyzing everything.

The Power of True Listening

But here's the thing: when you're analyzing, you're not really hearing the MUSIC in what you're playing, so it always feels like work. But when you're listen for the music, the flow, what makes it sing, you get pulled in. You start to notice what's working and where the real issues are. Listening gets you interested, and that's when you start to hear the MUSIC in what you're playing.

The Magic of Listening

When I shifted my focus from over-analyzing to truly listening, everything just clicked. It was like magic! A lot of problems that I hadn’t been able solve, I managed to fix easily because I could hear how to make them work. I felt so much better after practicing because I was really enjoying playing. I wasn't focusing on the negatives, and I was really connecting with what I was good at. I was building my confidence from the ground up, every single day.

A New Perspective

This shift in perspective was a total game-changer for me. I realized I could really put my heart into playing something and learn it the way I wanted to.

But the million-dollar question is, how can you learn to really listen to the music you're creating while you practice and play? How can you get so into the zone that you and the music you're playing become one?

Do you listen for the life of the music when you play? Post a comment below. I look forward to hearing what you think.

Cheers,

Bryan

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Make Your Next Gig EASY!

The Struggle on Stage Is Real

Ever feel like you're always struggling on stage, no matter how much you practice?

You're not alone. Many talented musicians find themselves in the same boat. But here's the secret - the pros don't practice the struggle, they practice "EASY".

The Common Problem

I've seen many students come to me with this problem. They put in the hours, they put in the effort, but when they get on stage, it's like they're always one step behind the music.

 They're stressed, they're beating themselves up, and it's just not fun anymore.

The Case of Paul

But what if I told you there's another way? Let's take my student, Paul, as an example.

After seeing him play for just a few minutes I noticed that he clearly knew a lot about music, but he made things much harder for himself. He was adding struggle where there didn't need to be any.

Paul had made that pressure a part of the way he played. He made such a habit of struggling in practice that it had become a part of his style!

Without knowing it, he actually PRACTICED struggling!

So when he got on stage, where things can be even more intense, playing was even harder!

The Transformation

Once I showed Paul how to practice being alert, fluid, and free from pressure, everything changed.

The first change we noticed was his tone: he was much more in tune and his sound got deep and full. His hand hurt less, and he remembered his songs more easily.

His sound had so much more charisma. That sounds weird but I don't know how else to say it!

The Result

Just one week later, Paul was pumped about his latest gig.

Instead of constantly trying to remember what the next part was, the music came to him like an insight, right when he needed it.

As he played more gigs he found that he could look out at the audience more.

He could really feel the people in the crowd in a personal way, like he was hosting a party!

Your Turn

So, what about you? Are you practicing the struggle, or are you ready to practice "EASY"?

Leave a comment below and let's make your next gig EASY!

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Guitar Game: Improvise With Your Name

Bored with playing the same predictable rhythms when you’re improvising? Break it up using the rhythms in your name.
Use one of your names to get a short, basic pulse or all of your names to get a longer rhythm to work with.

Say your name aloud and feel the rhythmic pulses in it, especially where the stressed syllables are. If you want some other ideas use other names. Here's some interesting rhythms from the guitar world:

Jimi Hendrix
Nirvana
Elliot Easton
John Lee Hooker
Bohemian Rhapsody
The Grateful Dead
Queens Of The Stone Age
Florence And The Machine
Red Hot Chili Peppers

The stressed syllable is the downbeat. Now try this:

  1. Pick 1 and play any scale using the rhythm of that name.
    Pick 2 and play any scale mixing the rhythms of those 2 names.
  2. Once you get going you don't have to stick to the name if it gives you more, different ideas: allow creativity to arise.
  3. Freak Out!

Did this spark some ease, bring some life back into your jams?

Leave a comment below. I'd love to hear from you.

Cheers!

Bryan

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How To Forget You’re Worried

Play a note, or chord, and just listen. Let it ring and notice the sound in the room until it's gone.

We're usually impatient, immediately moving on to the next note and don't spend time experiencing the sound that we just created. What's the rush?

Just take a moment. Do it now:

  • Play one note. 
  • Meet that note. Look it in the eye. Hear its personality. Don’t move to another one until you’ve actually listened to the present one. 
    Each note has a full life with a beginning, middle and end. play another note or chord and listen for those 3 things
  • See if you can hear the precise moment that the note has completely faded and is gone. 

When you do this the most remarkable thing usually happens: you relax.

That's space. The space between the notes. And it's not only between the notes, it's in the notes as well. All you need is a little piece of that space to relax. 

Listening like this let's you reset when you're tight or being a taskmaster. It also allows the space for the real magic of music to happen: you can get so fascinated with sound that you forget to be worried about all the little things that usually drive you nuts. It doesn't mean that the worries completely disappear, but your interest grows louder than your worry. This is one way to get into the zone, which is where worries exist but don't get in your way.

Getting good at this is how you build stage confidence and light up your audience.

When you played and listened to one note did you notice anything different than usual? Did you notice a sense of space that you could relax into? 

Do you think this could improve your stage performance? Drop your comment below. I'd love to hear from you.

Cheers!

Bryan

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How to Play To a Metronome? Do it Wrong!

No joke. Try it:

Set the metronome at about 100 BPM.
Play just one note on each beat.


Then speed up just a tiny bit WITHOUT CHANGING THE METRONOME…. 
Feel that tense, rushing feeling.
Slow back down to the beat… Feel that smoothness.
Now slow down just a tiny bit… Feel that sluggish pull.
Speed up just enough to get synchronized again… Feel that smoothness again.


Playing in time is a matter of constantly feeling for this anxious or dopey energy and then adjusting until you feel that sense of relaxing into the beat. 

It’s not a thinking thing. It’s a feel thing.

Playing by feel is the foundation of performing with confidence. Can you play by feel?
Post a comment below or Shoot me an email. I'd love to hear from you.

Cheers!

Bryan

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Find Any Fret on the Guitar Without Counting

Imagine the 3rd, 5th and 7th fret dot markers as the lights of a traffic light. Then imagine drawing a triangle from the dot on the 9th fret to the pair of dots on the 12th to make a yield sign. Now each fret is unique:

Imagine the 3rd, 5th and 7th fret dot markers as the lights of a traffic light. Then imagine drawing a triangle from the dot on the 9th fret to the pair of dots on the 12th to make a yield sign. Now each fret is unique:

​1st: beside the nut2nd: just outside the top of the traffic light3rd: the red light4th in between the red and yellow lights5th: the yellow light6th: between the yellow and green lights7th: the green light8th: in between the traffic light and the yield sign9th: the point of the yield sign10th: the narrow end of the yield sign11th: the wide end of the yield sign12th: the bottom of the yield sign13th and higher: same as the previous frets, but in mirror image, starting with the yield sign from the 12th to the 15th fret

Now look at the neck of your guitar, imagine the shapes, say a number and then find the fret without counting. 

Did it work? Feel free to leave a comment  below.

Is there a different issue you have with performing with confidence? Shoot me an email or about the one thing that seems to get you every time. I’d love to hear what’s happening on your stage and possibly offer some ideas that may help you play the way you want to.

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Rather Than Going for What’s ‘Right’…

Play What Sounds Good to You

Music is so much more fluid than we often treat it. When we get caught up in whether we are playing it “right”, we run the risk of not hearing what we are doing well. If you’re caught in the trap of “WRONGNESS” try this:

For now, rather than going for what’s ‘right’, go for what you think sounds good. Drop what others have done. Use it as an option, rather than something to match. What's your take on it? What sounds good to you? Learning music is a process and you are somewhere in the middle of it so, for now, go for your good tempo, your best rhythm, your best note choices. Let it become something else, at least a little bit. If you've seen the Get Back documentary on The Beatles you saw how they played around with their own material. They often played their songs in other styles and even ridiculous, goofy ways! Then they went up on the roof and tracked the classic recordings we all know single takes.

Listen for what you are playing that is good and build from there. Perfection is the result, not the method.

Does this work for you or make it worse? Shoot me an email or leave a comment. I'd love to hear from you!

Cheers!

Bryan

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Hello world!

Welcome to WordPress. This is your first post. Edit or delete it, then start writing!

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